Lilya Kaganovsky

Section 1

Assistant Professor of Gender and Women's Studies,Russian, East European, and Eurasian Studies,Slavic Languages and Literatures, and Center for Global Studies

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Publications

Books

  • Sound, Speech, Music in Soviet and Post-Soviet Cinema. . Bloomington: Indiana University Press, 2013.
  • Kaganovsky, Lilya. How the Soviet Man Was Unmade. . University of Pittsburgh Press , 2008.

Book Contributions


  • "Thinking Again About Cold War Cinema." Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989: Re-Visions. . Routledge, 2014.

  • "Stalinist Cinema 1928-1953." The Russian Cinema: A Reader (Volume I: 1908 to the Stalin Era). . Boston: Academic Studies Press, 2013.

  • "The Cultural Logic of Late Socialism." The Russian Cinema: A Reader (Volume II: The Thaw to the Present). . Boston: Academic Studies Press, 2013.

  • "Russian Rock on Soviet Bones,." Sound, Speech, Music in Soviet and Post-Soviet Cinema. . Bloomington: Indiana University Press, 2013.

  • "Postmemory, Counter-memory: Soviet Cinema of the 1960s." The Socialist Sixties: Crossing Borders in the Second World. . Bloomington: Indiana University Press, 2013.

  • "Elektrische Sprache: Dsiga Wertow und die Tontechnologie / Electric Speech: Dziga Vertov and the Technologies of Sound." Resonanz-Räume: die Stimme und die Medien. . Berlin: Bertz & Fisher, 2012.

  • Kaganovsky, Lilya. "Solaris and the White, White Screen." Picturing Russia: Explorations in Visual Culture. . Ed. Valerie Kivelson and Joan Neuberger. Yale UP, 2008.

Journal Articles

  • "The Materiality of Sound: Esfir Shub’s Haptic Cinema / Материальность звука: кино касания Эсфири Шуб." Novoe Literaturnoe Obozrenie 120 (2013):
  • "The Homogenous Thinking Subject or Soviet Cinema Learns to Sing." Studies in Russian and Soviet Cinema 6.3 (2013):
  • "Ways of Seeing: on Kira Muratova’s Brief Encounters and Larisa Shepit’ko’s Wings,." Russian Review 71.3 (2012):
  • "There is no acoustic relation: Considerations on sound and image in post-Soviet film." Qui parle: critical humanities and social sciences 19.1 (2010):
  • Kaganovsky, Lilya. "The Cultural Logic of Late Socialism." Studies in Russian and Soviet Cinema 3.2 (2009): 185-199.
  • Kaganovsky, Lilya. "Men Wanted: Female Masculinities in Livnev’s "Hammer and Sickle"." Slavic and East European Journal 51.2 (2007): 229-246.
  • Kaganovsky, Lilya. "The Voice of Technology and the End of Soviet Silent Film: on Grigorii Kozintsev and Leonid Trauberg’s "Alone"." Studies in Russian and Soviet Cinema 1.3 (2007): 265-281.